Rachel Beckles Willson's research as scholar, composer and performer, has engaged with ways that musical creation is entangled with colonialism and state politics, and with the implications of activist arts work with people on the move. She has also worked extensively with object biographies, such as through her multi-authored webresource Oudmigrations. Her current work as sound artist attempts to develop creative practices in collaboration with other-than-human beings. As lector she furthers research and education that focuses on the entanglements of sound and performance.
Read more about her work in this interview.
